INK: Stories that Should Be Told

June 16th, 2011

I’ve not been writing as much recently because I’ve been doing more reading as of late.  If you know anything about writing, then you know that you can’t call yourself a writer if you’re not reading at least 12 times as much as you write.

This summer’s reading goal has been to read the entire Octavia Butler (1947 – 2006) collection.  Octavia Butler is a Black woman, a Black feminist, and she writes Science Fiction–my favorite genre.  Posthumously, she was inducted into the Science Fiction Hall of Fame in 2010.  Her 14 works are treasures and she is an inspiration for me, a Black woman, a Black feminist, also trying to make my mark in this world.

In this post, I wanted to briefly revisit my earlier rants about the lack of quality stories about Black people in cinematic representations, thus my inclusion of this post in my In the Name of Kwanza Series.

In Butler’s Lilith’s Brood (Xenogenesis) series, she’s writing about a woman who wakes up among an alien species after humans have destroyed the planet through nuclear war.  Lilith is among the last human beings in existence and will give birth to a child that’s not quite human.  It’s a story that complicates gender and race, one that digs all the way down into the meaning of what it means to be human after we’ve destroyed our world and all of our culture.  Now that’s a movie waiting to happen.  Or is it?

Butler and many other Black authors have been creating characters, situations, universes, alternate realities, that have gone unrecognized and mostly invisible in Hollywood as tangible sources from which to draw good, detailed, complicated stories for the big screen.  Brown people have more stories to tell other than those of getting shot, getting married, getting rich or dying, or getting cheated on.  We can do better and we don’t even have to look that far to do it: the library.

Books by Octavia Butler

Patternmaster (1976)
Mind of My Mind (1977)
Survivor (1978)
Wild Seed (1980)
Clay’s Ark (1984)
Seed to Harvest (2007)
Dawn (1987)
Adulthood Rites (1988)
Imago (1989)
Parable of the Sower (1993)
Parable of the Talents (1998)
Kindred (1979)
Fledgling (2005)
Bloodchild and Other Stories (1995), 2nd edition (2006)

INK: Black People on Film in the 1980s and 1990s

Tuesday, May 24th, 2011

 


I’m the last person who would say “you’re not ____ enough because you’ve never seen/listened to/heard of _____.”  I think that’s ridiculous, but it’s often a phrase I hear people of color use, policing the boundaries of race as they do.  In reality, our experiences as similarly raced bodies, while similar, are not the same. If I’ve learned anything as an anthropologist, it’s that culture varies greatly based on ecology, or the environment and conditions under which one is raised and socialized. For example, Black people in New York do not eat the same things as Black people in North Carolina. Neither is less Black, or more Black.  The reason for their different cultural experiences are the availability of certain items and experiences, in this case the availability of certain kinds of food.  The same can be said of all forms of culture.

After having conversations with a couple of the students that I worked with who had never experienced movies that I think offer fantastic viewing experiences, I wanted to share a few film titles with them because for most of them they were born around the time many of these films were released, or too young to remember them at all.  They literally did not have these films available.  Similarly, there are plenty of 30 and 40 year olds who have never seen some of these films. Their reasons for having not seen the films are just as worthy of note.  Some of these films were low budget and were popular only in niche markets, thus it makes sense why non-Black people never saw these films.  Some of the films were made for TV films, a popular form of distributing movies in the late 1980s and 1990s. You may not have known you’d be interested in these films, and the mini-series format makes for missing a couple sections of a movie. Additionally, people may have missed the big studio movies on the list in theaters.  How many movies have you missed in theaters in the past 10 years?  Do you remember?  There was no such thing as Netflix where you could search obscure movie titles for hours in the 1990s and renting movies wasn’t possible until Blockbuster which was founded in 1985.  Most folks didn’t have one in their neighborhood until the mid 1990s.

Kuumba (Creativity)

That said, In the Name of Kwanza, I share these films because they represent an era of Black film making that I think was absolutely creative.  What makes these films different than Tyler Perry movies, or movies like Jumping the Broom is that they weren’t always concerned about putting the most famous actors they could find in them, they also were also concerned with critique, and social commentary.  Robert Townsend’s Hollywood Shuffle critiqued the fame industry, for example.  And while plenty of them are about getting married, one is even called The Wedding, a lot of them didn’t end with marriage.

Some of the films are slightly problematic, in the sense that they may express some homophobia, sexism, ablism, and what I like about being able to watch these films with fresh eyes, is that I can appreciate them for what they were, and for the conversations that they offer; be those conversations critique, commentary, or just laughs.

In no particular order, these films remain ripe with moments that fill light and playful conversation as well as intense debate.  Enjoy.

The list

  • Boomerang (1992) –  Directed by Reginald Hudlin. Starring Eddie Murphy, Halle Berry, Robin Givens, and David Allen Greir.
  • Coming to America (1988) – Directed by John Landis. Staring Eddie Murphy, Arsenio Hall, James Earl Jones, and Shari Headly.
  • A Time to Kill (1996) – Directed by Joel Schumacher. Starring Samuel L. Jackson, Sandra Bullock, and Matthew McConaughey.
  • Sankofa (1993) – Directed by Haile Gerima.Starring Oyafunmike Ogunlano, Afemo Omilami, Kofi Ghanaba.
  • The Josephine Baker Story (1991) – Directed by Brian Gibson.  Starring Lynn Whitfield, Rubén Blades, and David Dukes.
  • Good to Go (or Short Fuse) (1986) – Directed by Blaine Novak.  Starring Reginald Daughtery and Art Garfunkle.
  • Strictly Business (1991) — Directed by Kevin Hooks. Starring Halle Berry, Tommy Davidson, Joseph C. Phillips, and Anne-Marie Johnson.
  • Once Upon a Time… When We Were Colored (1995) – Directed by Tim Reid.  Starring Al Freeman Jr., Phylicia Rashad, and Leon.
  • Devil in a Blue Dress (1995) – Directed by Carl Franklin.  Starring Denzel Washington and Jennifer Beals.
  • Original Gangstas (1996) – Directed  by Larry Cohen.  Starring Fred Williamson, Jim Brown and Pam Grier
  • When We Were Kings (1996) – Directed by Leon Kast.  Starring Muhammad Ali, George Foreman, and Don King in the remarkable story of their historic “Rumble in the Jungle” fight in Zaire.
  • The Golden Child (1986) – Directed by Michael Ritchie. Starring Eddie Murphy, Charles Dance, and Charlotte Lewis.
  • The Crying Game (1992) – Directed by Neil Jordan. Starring Forest Whitaker, Jaye Davidson (Ra the Sun God in the movie Stargate), and Stephen Raye.
  • Theodore Rex (1995) – Directed Jonathan R. Betuel. Starring Whoopi Goldberg, Armin Mueller-Stahl and Juliet Landau.
  • Corrina, Corrina (1994) – Directed by Jesse Nelson.  Starring Whoopi Goldberg, Ray Liotta, and Tina Majorino.
  • Hollywood Shuffle (1987) – Directed by Robert Townsend. Written by Keenen Ivory Wayans and Robert Townsend. Starring Robert Townsend, Craigus R. Johnson and Helen Martin.
  • I’m Gonna Get You Sucka (1988) – Directed by Keenen Ivory Wayans. Starring Keenen Ivory Wayans, Bernie Casey and Antonio Fargas
  • The Women of Brewster’s Place (1989) – Directed by Karen Hall. Starring Oprah Winfrey, Robin Givens, Jackee Harry, Cicely Tyson, Lynn Whitfield, and Leon.
  • New Jack City (1991) – Directed by Mario Van Peebles. Starring Wesley Snipes, Ice-T and Allen Payne.
  • Posse (1993) – Directed by Mario Van Peebles. Starring Mario Van Peebles, Stephen Baldwin, Pam Grier, Salli Richardson, and Charles Lane.
  • Sarafina! (1992) – Directed by Darrell Roodt.  Starring Whoopi Goldberg, Leleti Khumalo and Miriam Makeba.
  • The Color Purple (1995) – Directed by Steven Spielberg. Starring Whoopie Goldberg, Oprah Winfrey, Margaret Avery, and Danny Glover.
  • Jackie Brown (1997) – Directed by Quentin Tarantino. Starring Pam Grier, Samuel L. Jackson, and Robert Forster.
  • Jason’s Lyric (1994) – Directed by Doug McHenry. Starring Allen Payne, Jada Pinkett, and Bokeem Woodbine.
  • Bamboozled (2000) – Directed by Spike Lee. Starring Damon Wayans, Tommy Davidson, Jada Pinkett Smith, and Savion Glover.
  • Tap(1989) – Directed by Nick Castle. Starring Gregory Hines, Suzzanne Douglas, Savion Glover, and Sammy Davis Jr.
  • The Negotiator (1998) – Directed by F. Gary Gray. Starring Samuel L. Jackson, Kevin Spacey and David Morse.
  • Juice (1992) – Directed by Ernest R. Dickerson. Starring Omar Epps, Tupac Shakur, and Jermaine ‘Huggy’ Hopkins.
  • Poetic Justice (1993) – Directed by John Singleton. Starring Janet Jackson, Tupac Shakur, and Regina King.
  • Hoodlum (1997) – Directed by Bill Duke. Starring Laurence Fishburne, Cicely Tyson, Tim Roth, and Vanessa Williams.
  • Set it Off (1996) – Directed by F. Gary Gray. Starring Jada Pinkett Smith, Queen Latifah, Vivica A. Fox, (introducing) Kimberly Elise.
  • Waiting to Exhale (1995) – Directed by Forest Whitaker. Starring Whitney Houston, Angela Bassett, Lela Rochon, and Loretta Devine.
  • Harlem Nights (1989) – Directed by Eddie Murphy. Starring Eddie Murphy, Richard Pryor, Della Reese, Charlie Murphy, and Redd Foxx.
  • The Meteor Man (1993) – Directed by Robert Townsend.  Starring Robert Townsend, Marla Gibbs and Eddie Griffin.
  • A Low Down Dirty Shame (1994) – Directed by Keenen Ivory Wayans. Starring Keenen Ivory Wayans, Jada Pinkett, Charles S. Dutton, and Salli Richardson.
  • The Last Dragon (1985) – Directed by Michael Schultz. Starring Taimak, Vanity, and Christopher Murney.
  • Bebe’s Kids (1992) – Directed by Bruce W. Smith.  Starring Faizon Love, Vanessa Bell Calloway and Wayne Collins Jr.
  • The Wiz (1978) – Directed by Sidney Lumet. Starring Diana Ross, Michael Jackson and Nipsey Russell.
  • Out of Darkness (1994) – Directed by Larry Elikan.  Starring Diana Ross as a woman battling schizophrenia.

I left plenty of things off (some on purpose).  This is not an exhaustive list of every film ever made in the 1980s and 1990s that had Black people in it.  If you have films you’d like to add, use the comment box and tell us why you think it’s important.

 

Less than Brief Reviews: Madea’s Big Happy Family and Jumping the Broom

Monday, May 16th, 2011

I’ve chosen to do these reviews together since Loretta Devine and a similar message, carried both films.

Average Grade: C-/C+

Comments

  • These movies were average. I’ve seen better films with Black actors in them. I’ve seen better films by Black film makers.  I know we can do better.
  • Why was Loretta Devine, a Houston, Texas native cast as a mother from Brooklyn in Jumping the Broom? Someone should have caught that. And if she and all her relatives moved to Brooklyn from somewhere else, that should have been made clear.
  • I absolutely adored the Teyanna Taylor, who played Sabrina in Madea’s Big Happy Family. I especially loved the way she chewed her gum and yelled “Byrrrraaaaaaaaaaaannnn.”  Fantastic. Thank god for her and the other nuggets of disconnected Madea-comedy, because there was so much melodrama in this film, you needed something to remind you that life isn’t always this deep.   I mean, this drama was so thick you couldn’t even get a big tooth comb through it.
  • Both movies were way too long. I could have easily shaved off 20 minutes from each. You don’t need 10 comic relief scenes. The best comedy is woven in throughout the telling of the story.

Commentary

The messages for both Madea’s Big Happy Family and Jumping the Broom are fairly straightforward: family secrets are not good for anyone. If you’re caring for your sister, aunt, daughter, or niece’s child as your own, please tell the kid. The kid will be fine. It’s much better than having a family secret that could throw the kid into a temporary abyss of not knowing who “they really are”. Women who only have material requirements for the men they get with will likely be unsuccessful with finding a man who will take care of them. No one is asking you to lower your standards… just make the standards high in areas like “honesty,” “maturity,” “thoughtfulness,” “intelligence,” you know, things other than “has a Black card,” “has a 7 figure salary”, cause then you’ll be looking for some who actually exists.  And if you don’t, as was the case of Renee (played by Lauren London), you’ll end up with a cold lump of ice in your chest instead of a beating heart.   Third, men know better and women usually just need a strong man to put them in their place (yeah….). Lastly, “What god put together, let no man put asunder.” Divorce is for losers, and marriage is between a man and a woman as T.D. Jakes reminds us in this Jumping the Broom almost imperceptibly in his discussion about Bible readings with the soon to be married couple (right…).

Why the C-/C+

These particular film makers haven’t really conceived of new types of stories, or different messages to offer their audiences. You can look through any of Tyler Perry or T.D. Jakes films and find similar messages woven throughout. I’m not saying that either story was necessarily bad, or that I disagreed with every aspect, I just think they’re derivative, recycled, surface, and I know we have better stories to tell than of incest, angry women, paternity tests, family secrets, and marriage.  And if we want to tell those same stories: fine.  But we don’t have to use the same troupe of 1-D characters to tell these stories, and we can complicate them so much.  Add thoughtful and compelling layers.  We can do better.

Feminist Critique: Marriage and Love in Black Evangelical Christian Film

Marriage is fantastic for people who want to be in committed relationships with one person for as long as possible, but there’s little commentary on the fact that gays and lesbians aren’t allowed to do so freely.   And the gay/sissy man jokes in these films only exacerbate that very thinking.  In a world that condones the rape and murder of gay, lesbian, and transgender individuals by those claiming to be religious, which one of these mega church pastors or evangelical media moguls will stand up and say it’s wrong to discriminate, wrong to tell people what they can and can’t do with their bodies?

The tradition of jumping the broom in African American families comes from a tradition passed down by our enslaved ancestors in America who weren’t allowed to legally marry. Instead of signing papers and pronouncing the marriage in a civil ceremony recognized by the law, they literally jumped over a household broom to signify their union. Because they weren’t white, they were not considered human. Therefore, they weren’t moral and rational human beings who could make decisions about their heart and had no legal ownership over their bodies, thus had no right to marry. That sounds all too familiar to the language used to argue why gays and lesbians can’t marry in the U.S. They aren’t heterosexual, therefore they are not normal human beings. Their abnormality makes them amoral, and thus, they have no right to marry.

But love is much bigger than marriage. It has been around far longer as well. Love is a feeling deep in your bones. It is so densely woven into the fabric of your being that you can’t cut it out if you tried. If you have it and if you nurture it, it will grow bigger everyday until you can’t move without feeling it in you. There is only one type of it. It’s the kind that parents have for their children. Love is what children have for their parents even after they realize that their parents are only human, and make mistakes too but did the best they could to raise them, and they are thankful and full of love just for that.  It’s the kind that those couples who’ve been together, loving one another for 50 years have. The kind that a 5 year old has for their best friend. The kind that people have for their dogs; the kind that makes them write blank checks to the vets when their dogs get sick. It’s the kind that spouses should have for one another prior to getting married. That’s what love is.

(Love doesn’t kick you underneath the table when you’re saying something he doesn’t like. That’s abuse. And I hope that folks raised a red flag when they saw that in Jumping the Broom. I think it was an epic failure of  the producers, writers, and directors. Anyone who has witnessed, been the victim/survivor of, or studied domestic violence know that that type of behavior is a precursor to a woman having her teeth knocked in. Detective Olivia Benson from Law and Order: SVU would not approve.)

In conclusion, either of these movies are best seen via Netflix, Redbox, or HBO. No need to spend $12 to see these movies in theaters if you haven’t yet. They aren’t life altering.  They were good enough, and I think that if we want to see our favorite Blackactresses and Blacktors carrying amazing films by Black film makers, then we’re going to have to demand better quality.

Otherwise we’ll continue to get movies where the actors are good, the scripts are a mess, and the stories are the same.